While trawling the Opéra website this morning (hey, did you know they have free lunchtime concerts?), I came across some happy news - the naked opera is back!
By way of explanation, I’m re-posting something from the way-back Blagueur archives.
Full Frontal Opera
Opera, where I come from, just ain’t right. It sits on a high shelf in the foreign food aisle of my Midwestern imaginary, alongside all the other expensive and weird things that you buy only for company.
So I was nervous when friends, over drinks, invited us to go. But then (sip) we’re in Paris. And we (sip) only live once. We’ll drink first, and it’s (sip), it’s a story.
This kind of cabernet logic is exactly how I ended up at my first Paris sex show. But that’s a different tale.
…or is it?
Not so different, in fact, if the opera in question is Salomé. These friends had the foresight to select, for our first time, an opera that doubles as a strip show.
Show of hands: who knew there was nudity in opera?
Opera, in my mind, has always been associated with elites. Boston types, puritans, not the sex-having kind. So I was surprised, I’ll admit, when Salomé began to slowly take off her clothes.
It was innocent during the first of seven veils. Flutes whistled anemically while Salomé pranced around for her step-father. The fluttering ribbons recalled a gymnastic floor routine more than any peep show.
But then, about halfway through the dance, a shift occurred in Salomé. She became fuller, more frantic, more Beyoncé. She was rolling, and then writhing, on the floor. She was spreading her legs and ripping veil after veil, with the orchestra growing louder by the minute. She flew raggedly around the stage – a blur of red hair and white skin. The sixth veil came off, and then the seventh. And these were followed in short order by the shirt, the bra, and the skirt.
The climax (mine, anyway) came when Salomé, fully naked, began to grind against the bars of a cage.
Welcome to the opera!
The closing scene, in which Salomé tongues a decapitated John the Baptist, was a “safe choice” according to Bernhard. Apparently there are productions in which she has sex with the head.
So, to recap: the opera, which costs 20 euros, is actually cheaper – and sexier – than a Paris sex show. And you can, if you want, bring your own binoculars.
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Update: Nissim has just alerted us in the comments that this year’s singer will not be getting nasty. So sad!


Not to be dour, but, sadly, in order for there to be naked opera, the singer has to be game - and this time she isn’t. And the dance this year isn’t nearly so exciting as you described, in fact it’s really rather embarrassing for everyone involved. It’s unfortunate, but so much of the success of Salome as a staged work (the music can survive most of what you can do to it visually, and is reason enough to go) depends on whether the soprano is comfortable moving - but she’s on stage at the opera and not the ballet because she can sing. But, jeeze, now I’m sorry I missed the 2006 production!
Perhaps there’s a DVD version somewhere. It would make an interesting Christmas present!